Description of the Work
Jean-Michel Coulon painted in the greatest secrecy until his death at the end of 2014; he did not let anyone enter his studio and he never showed his painting, even to his relatives.
More than 600 paintings were discovered the day after his death at the opening of his studio. Because he had lost the use of his legs, he had not been able to work there for several years.
Due to its recent discovery and the absence of comments left by the artist, the overall vision of the work of Jean-Michel Coulon is being considered and subject to discussion.
The main points of reflection concern in particular:
The positioning of Jean-Michel Coulon in the art history of the 20th century and comparing him to the painters he was close to after the Second World War (Nicolas de Staël, Maria Helena Vieira da Silva, André Lanskoy and Olivier Debré, among others),
The evolution of his style (forms, colors, material) during the 70 years of his life as an artist,
The impact of the dramas of his life on his artistic choices, including the brutal death of his two brothers in 1944 and 1952 and the burning of his house and some of his works in 1955,
The secret that surrounded his artistic approach,
The opportunity to search for a key to understanding his work in letters he wrote during his travels, particularly to the United States and Italy.
The art historian Lydia Harambourg proposed some answers in a first monograph of Jean-Michel Coulon published in June 2018.
The evolution of the work can be schematically illustrated as follows:
Jean-Michel Coulon's Biography
1920: Born in Bordeaux, France.
Years 1930s: Studies at the Lycée Janson-de-Sailly, then at preparatory classes to the French Grandes Ecoles at the Lycée Henri-IV, Paris. He undertook numerous visits to Germany, where he quickly became fluent, to Italy after high school with his friend and future brother in law Olivier Debré, on cargo ships along the Atlantic and Mediterranean coasts of Africa, on which he managed to board without paying any fees. He was witness to the increase of fascist ideology: he sees Hitler in Berlin then Mussolini in Rome.
1940: Jean-Michel Coulon was 20 years old when war broke out. In 1943, the Vichy regime introduced the compulsory work service so he decided to leave Paris and obtained a false identity card. He went to Megève in the French Alps with Olivier Debré. It was during this period that the two friends both decided to devote themselves to painting.
1944: Jean-Michel’s brother, Jean-Rémi – 19 years old – was shot by the Germans at the Farm du By (Loiret).
1945: He began painting steadily in Paris.
1949: He met his future wife, Caroline Garabedian, an American violinist studying at the Paris Conservatory. He quickly learned English. He exhibited at the Jeanne Bucher gallery, in Paris with: Georges Braque, Picasso, Paul Klee, Jean Lurçat, Jean-Paul Laurens, Nicolas de Staël, André Lanskoy, Maria Helena Vieira da Silva, Hans Reichel, André Bauchant, Alfred Manessier, Árpád Szenes and Vassily Kandinsky.
1950: He exhibited alone at the Galerie Jeanne Bucher. The guest book shows signatures of many famous people. He takes part in a group exhibit in New York, at the Sidney Janis gallery. He spent three months at the Maison Descartes, in Amsterdam, having won a scholarship from the French Government. He became familiar with the Dutch classic painters and of course learned Dutch.
1952: His other younger brother, Jean-François – a 25 years old officer in the French Air Force – crashed in a plane during a mission in Tunisia.
1953: He married Caroline Garabedian.
1955: The house and studio in Saint-Jean de Braye, near Orleans burned down in a fire. A great number of paintings are lost.
1956: He stayed two-month in the US; discovers the huge cities and is fascinated by New York. This first visit was the first of a long series of trips, most likely, a great source of inspiration for his painting.
1957: Birth of his single daughter.
1968: When France got out of the integrated NATO commandment, he moved to Brussels, with his wife who worked at the American mission to NATO. They will remain there until 1998. From Brussels, the family traveled across Europe by car in all directions, with trips to cultural and artistic sights. He took the car alone, sometimes, and left to explore some European countries, spending the night with local inhabitants, asking people to open very confidential illuminated archives or drawings kept out of the light.
1971: His exhibit in Brussels at the Regency gallery organized by Michel Vockaer was a big success. Eighteen paintings were sold. There was supposed to be a series of three shows. Only the first was held. Jean-Michel Coulon preferred to use the excuse of never being ready for the next series of paintings.
1999: He returns to live in Paris in the 16th arrondissement with a nearby studio. He did not renew close contacts with the Paris galleries. He remained discreet, almost hidden. He goes to his studio every afternoon. His work went from painting to collages, which were done on oil paintings dating from the 1950s and 1960s.
2012: His health declined and after a long hospital stay he was confined to a wheelchair. Going back and forth to the studio was no longer possible, so it remained untouched until his death. He composes collages in his apartment, on sheets of heavy drawing paper. His spirit remaining intelligent and lively up to the end, he was working to the very last days, still with warm and bright colors.
2014: Jean-Michel Coulon died on October 25, at the age of 94. He is buried in Saint-Georges-de-Didonne (Charente-Maritime), with the generations of Coulons.
Picture of a self-portrait (c.1945)
Jean-Michel Coulon (c.1950)
Jean-Michel Coulon at the St Peter's Church in Leiden, the Netherlands (1950)
Jean-Michel Coulon playing chess at the Descartes house in Amsterdam (1950)
Jean-Michel Coulon in Crans-Montana, Switzerland (1968)
The only picture of Jean-Michel Coulon at his working table, one month before his death (2014, Paris)